Picture Style Untuk Canon 600d Vs Nikon

Picture style untuk canon 600d vs nikon d5100
  1. Link Download Picture Style Nikon Pada Kamera CANON. Untuk mengganti Picture Style anda. DOWNLOAD 20 Picture Style Kevin Wong. Untung canon eos 600D support. Download Picture Style Untuk Canon 600d Vs Nikon. 0 Comments Leave a Reply. Write something about yourself. No need to be fancy, just an overview.
  2. Jul 08, 2015  Picture taken with a Canon DSRL 600D T3i kit lens. Some footage taken with Neutral picture style and some with the famous CineStyle picture style.
  3. Picture Style sarat dengan berbagai macam fitur, tetapi dalam artikel ini, saya hanya akan fokus pada dua mode dan tentang parameter Contrast (Kontras), untuk menunjukkan bagaimana kedua fitur ini dapat digunakan untuk mengedit foto.
  4. Best picture styles for SLRs. The Flaat styles are available for both Canon and Nikon SLRs, as well as the Blackmagic Camera and Sony NEX-5N. Flaat video tests from Samuel Hurtado on Vimeo.
  5. Picture taken with a Canon DSRL 600D T3i kit lens. Some footage taken. Skip navigation Sign in. CINEMA STYLE# Canon 600D VS Nikon D3200 - Duration: 2:38. GreenInkProd chanel 176,409 views.

I’ll admit that today was the day I picked up the manual for my camera. I have done it once before but today I got very curious just what the Picture Styles feature on a lot of Canon DSLRs actually does. For the most part I shoot in RAW and it has no impact there. It is only set to make changes to JPEG images produced by the camera. But what real affect do the various settings like Standard, Portrait and, more so, the custom adjustments I can make, have on the final image if I want quick, out of the camera punch or neutral rendition?

CINEMA STYLE# Canon 600D VS Nikon D3200. Canon-600d-vs-Nikon-D3200 Read the part where it says, 'Advantages of the Nikon D3200.' You might find the part where it.

One note: A wide range of possibilities opens up to adjust Picture Styles on RAW images in programs like Canon’s Digital Photo Professional (DPP) software or BreezeBrowser, and that is a whole other ball of wax for another post.

Let’s take a look at the settings themselves first.

This information is from a Canon 7D but is relevant to most of the DLSR line with the Picture Styles settings. From the left, those symbols represent the setting for Sharpness, Contrast, Saturation and Color Tone (Hue). All in this image have a setting of zero next to them. I’ll be using those settings in that order for the remainder on this post: Sharpness, Contrast, Saturation and Color Tone.

Now then, there are six preset modes: Standard, Portrait, Landscape, Neutral, Faithful and Monochrome (followed by Custom1, 2 and 3 in the image below). I will begin by showing representations of each of these settings and then dive into customization of just Standard mode. Otherwise this post would be filled with more than 50 screen shots and become confusing. All photos are shot at ISO 400, 130mm (28-300mm L lens), 1/5 and f/8.0. The images were given a small 1/3 of a stop bump in exposure. Click on an image for a larger version.

Standard

Sharpness: 3 Contrast: 0 Saturation: 0 Color Tone: 0

Portrait

Sharpness: 2 Contrast: 0 Saturation: 0 Color Tone: 0

Landscape

Sharpness: 4 Contrast: 0 Saturation: 0 Color Tone: 0

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Neutral

Sharpness: 0 Contrast: 0 Saturation: 0 Color Tone: 0

Picture Style Untuk Canon 600d Vs Nikon D3200

Faithful

Sharpness: 0 Contrast: 0 Saturation: 0 Color Tone: 0

Monochrome

Sharpness: 3 Contrast: 0 Filtering Effect: none Toning Effect: none

Each of the modes has a specific intent. Standard is set to give a lively view and a likely rendition that will appeal to most viewers. Portrait softens the sharpness while highlighting skin tones. Landscape will increase sharpness and increase saturation slightly, especially in greens and blues. Neutral attempts to make as little change as possible to make post processing easier. Faithful takes this a step further and attempts to render colors as if under a 5200K light source. Monochrome opens up the possiblity of using Filtering Effects (Yellow, Orange, Red, Green) and Toning Effects (Sepia, Blue, Purple, Green)

Canon Vs Nikon Lenses

In this tutorial, I will use the Standard mode from which to start making adjustments. These adjustments are reached by hitting the Menu button and then finding and selecting the Picture Style item. The default settings for Standard are then shown with an option to make adjustments using the selection wheel or pointer.

Notice the Sharpness adjustment goes from zero to seven while the others have a midpoint and move from -4 to +4. Standard mode dictates Sharpness to +3. Let’s first take a look at what happens when this is jacked up to +7.

Notice in the histogram the peaks are far more pronounced.

Next, the Sharpness is returned to the Standard setting of +3 and Contrast is taken to +4, followed by Contrast at -4. Again, check the histograms for minor changes.

Returning Contrast to 0, it’s time to give Saturation a whirl. First +4 then -4.

Here again, there is a wide range of effect which can be applied depending on your liking.

Lastly, Saturation is returned to 0 and Color Tone is given a swing from +4 to -4.

From here, each of the Modes has their own set of adjustments you can make with over 4,000 different possible combination (except for Monochrome, which is slightly less)!

If you want to get a hands on feel for making adjustments to the sliders but just happen to be at work reading this and you camera is no where to be found, Canon has a web page devoted to allowing free play of the settings.

If you regularly shoot in JPEG mode, play around with the settings and find a look that works for you. Most Canon cameras have the option to save these custom settings as one of three presets, perfect for a quick switch when the situation arises.

Picture styles, or picture profiles, are settings that can be installed on an SLR to help achieve different looks for both videos and stills.

On default settings straight out of the box, Canon and Nikon SLRs usually produce an image with lots of contrast. This makes the image look more defined, but often means that detail recovery and grading becomes a lot more difficult in post, particularly for video work.

Canon SLRs have a few default picture settings already loaded. They are called Standard, Portrait, Landscape, Neutral, Faithful and Monochrome. Nikon SLRs have a similar range, including Standard, Neutral, Vivid, Monochrome, Portrait and Landscape. Within each of these existing settings, you can make more precise alterations to parameters, such as saturation and contrast.

If you want to move beyond the presets, custom picture profiles can be used to give different effects. Some picture profiles will be designed to emphasise and flatter skin tones in the grading process, while others are more suited to landscapes.

Installing a picture profile is reasonably simple. For Canon SLRs, you will need EOS Utility, which is a Canon-specific program that comes with the camera. You will also need an interface cable to connect the SLR to a computer. Canon has provided a simple how-to on its website here.

For Nikon cameras, you will need to unzip the picture profile into the root directory of the memory card from a computer, load the card into the camera and enter into the Manage Picture Control option in the shooting menu. Load the picture profile into an empty slot.

There are fewer third-party profiles available for Nikon cameras, so you may want to read up on the ways to customise your own styles.

Mostly, picture profiles are referred to in the context of video. Many profiles 'flatten' the image, which can optimise the dynamic range by giving the editor more flexibility during colour grading.

Here are some of our favourite free picture profiles you can download, focusing primarily on video use.

Technicolor CineStyle

One of the most popular custom profiles out there, CineStyle produces an incredibly flat-looking image straight out of the camera, but holds much more detail in the shadow and mid-tones. It was designed specifically for the 5D SLRs, but works just as well on other Canon bodies.

You will probably find that the CineStyle is so flat that you will have trouble determining the correct exposure. To get around this, either use an external monitor or switch to a picture profile that more closely matches the final graded output you desire, determine the exposure and then switch back to CineStyle.

Technicolor Health Care from Preston Kanak on Vimeo.

Canon Picture Style Files

Though Canon SLRs have become some of the most popular tools for film-makers, the company is a little late to the party when it comes to dedicated video profiles. The new 'X Series' look is designed to emulate the results from Canon's range of professional video cameras, without having to fork out cash for another body.

This profile has a little less contrast, and lower saturation than the default styles.

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While you're downloading the video style, it's worth grabbing the other profiles, which include Studio Portrait, Nostalgia, Clear, Emerald, Twilight and Autumn Hues. These are arguably more useful for stills than for video.

Canon's Video Camera X-Series Picture Style from Patrick Zadrobilek on Vimeo.

Marvels Cine Picture Style

This profile doesn't require grading, but the video image does benefit from a touch of correction. It's based on the existing Neutral style from Canon, but preserves luminance linearity in skin tones. There's also a little extra contrast than the Technicolor profile, which might be useful if you don't want to do too much in post.

Technicolor CineStyle vs Marvels Cine Style Test with S-curve LUT from Mike Staniforth Filmmaker on Vimeo.

Flaat Picture Styles

Using a broader part of the codec's colour space, the Flaat style produces an image with less noise than the Technicolor profile. The Flaat_10 profile, which is the most popular, gives users just over 10 stops of dynamic range.

The Flaat styles are available for both Canon and Nikon SLRs, as well as the Blackmagic Camera and Sony NEX-5N.

Flaat video tests from Samuel Hurtado on Vimeo.

Alvaro Yus Flat

Specifically for Nikon SLRs, this profile produces a very flat, even image with similar results to the Technicolor profile for Canons. This makes it ideal for grading in post.

The profile has been designed for the D7000, but should work fine in other Nikon SLRs.

Nikon D7000 Video Tricks - Picture Control from Alvaro Yus on Vimeo.

TassinFlat

Another flat profile designed for the D7000, this profile tends to preserve more detail in the highlight areas. This means you should be able to save blown-out areas, and bring back detail in the sky, more than you would normally be able to when shooting on the regular Neutral setting.

550D (Cinestyle) vs D7000 (TassinFlat) part1 from Ulysse Tassin on Vimeo.